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Thoughts from the last month.

It would seem that I haven’t posted here in over a month. Wow. I supposed that I didn’t have much to say. Or maybe I was simply becoming two depressed in unemployment or Rock Band was taking up all my free time. One of those things.

In any case, here are 17 things I have thought in the past month:

  1. I should do a “reveals reviewed” for Secret Invasion #2. Oh wait, their aren’t any!
  2. Parasyte is the best manga currently being published in America. I doubt I will ever tire of it.
  3. Final Crisis #1 is confusing but has some good ideas.
  4. “Batman R.I.P.” is confusing but has some good ideas.
  5. All-Star Superman is still awesome.
  6. The Robin/Spoiler Special was the best Robin comic in the five years, at least.
  7. Should I be doing a “reveals reviewed” for the Secret Invasion tie-ins since that’s where all the story is?
  8. Umbrella Academy is really, really good. My Chemical Romance still sucks.
  9. Comics are too expensive for someone without a steady job.
  10. Chuck Dixon is leaving DC? Robin will go back to sucking.
  11. Fabian Nicieza will be writing Robin? Maybe there is hope after all!
  12. People are just now noticing the insane continuity errors that occur during major event books?
  13. Final Crisis wins if we are talking only about the main series. Secret Invasion wins if we add tie-ins.
  14. I doubt I will ever pick up another Joss Weadon comic again.
  15. Two Runaways books on one day = best week ever.
  16. Showcase Presents and Marvel Essential books can be very tiring.
  17. I can’t believe I missed out on the Supreme Powers MAX series before now. It’s like the Ultimates with Superman.

Runaways #30: Released before the Apocalypse

In the time is took for Joss Weadon to write and release six issues of Runaways, my wife and I have moved three times. Given, we’ve had pretty bad luck when it came to living quarters, but if I can remember picking up the second issue of Joss Weadon’s run two apartments ago, something is seriously wrong.

But it’s finally out, and Joss is done with the series, so I should be looking on the brightside, right? Okay, let’s do just that:

What I liked about Joss Weadon’s run on Runaways (pst, there will be spoilers):

  • He writes a lot like Brian K. Vaughan, so there was no shock in the creative team change.
  • Classic Weadon dialogue.
  • He fixed Chase! Tech-enhanced jock is good. Emo-jock with death wish is bad.
  • Steampunk was really cool when this series started, so it appealed to me on a very geeky level.
  • Didn’t add the team member we expected.
  • Molly taking down the Punisher.
  • He didn’t kill anyone.
  • There is only one Runaways title, so there would be no necessary spoilers (see: Kitty being dead in Uncanny X-Men months before dying in Astonishing X-Men).

But I can’t be positive forever, so here is What I hated about Joss Weadon’s run on Runaways:

  • I actually had to read the “Previously” pages because I could not remember what happened in the previous issues, which never happens to me. And even then I would be confused. And when the very beginning of the arc is referenced in the last pages of #30, I was completely lost.
  • By the time this run ended, Steampunk got boring.
  • He broke up Nico and Victor, which may be for the best but I’m a ’shipper at heart.
  • The next Runaways issue will be an unnecessary #1 to generate hype after Weadon’s delays killed the book’s appeal to new readers. I hate unnecessary #1’s.

Looking back, Weadon’s run was really quite good. It’s really just the mutiple-month delays that will cause me to forever look back on it with distain. I look forward to reading the trade that will be coming out in a matter of weeks, as it would be nice to read all the chapters together. (I would read the individual issues, but they were packed away during the last move six months ago.)

So, that Spoiler thing in Robin #174

How is it the internet didn’t explode yesterday with the release of Robin #174 and the big reveal of who has been running around as the Spoiler lately. Oh, you haven’t read it yet. Okay, major Spoiler spoilers below the fold.

(Continued)

Ayre Force Review

Ayre Force follows the adventures of super spy/billionaire playboy Calvin Ayre and his team of likewise super spies. Co-written by adventure journalist Adam Slutsky and Joseph Phillip Illidge, best known for his work on the Batman books, Ayre Force has a perfect balance of drool-worthy scifi weaponry and real-world manliness to keep the reader very happy. Yes, this a good comic.

The team of Illidge and Slutsky build an incredibly engaging story, which is quite the challenge when most comics come prepackaged with decade old characters that everyone loves. Sure, it can sometimes feel like a Nick Fury comic at times, but Arye Force is a surprisingly original read. And yes, the dialogue is a bit cheesy at times, but the well-paced plot more than makes up for that.

But I have to say that the best part about this book is the artwork by Shawn Martinbrough. I tend to steer clear of action-oriented title from small publishers because, frankly, the art tends to be terrible. But that’s not the case here. Take, for instance, when Calvin Ayre blows the fuck out of the owners of a bear bile farming factory for being evil dickheads.

Very pretty.

Okay, now what I’ve established that this is a good comic, I must tell you that something bugged me the whole time while reading this. Here is the panel at which my unease firmly set in and sadly it was only on the second page:

Yes, you read that correctly. Bif Naked. This Bif Naked:

Here’s the deal, Bodog, the publishers of this comic, is not a small, up-and-coming comic company like I had thought. Turns out it is a multi-billion dollar corporation specializing in music, gambling and fighting entertainment. And all the members of Calvin Ayre’s crack spy team are real-life employees of the real-life company. And Calvin Ayre happens to be the actual founder of Bodog.

So, having found that out about a quarter of the way through, my reading experience of the book was severely soured by the idea that I was spending my time reading what seems to be little more than an elaborate branding experiment. An advertisement. No matter how much I enjoyed the story and artwork and general craftsmanship of the book, I couldn’t shake the feeling I was being sold something the whole time. (But the same can be said for any DC comic in the past year.) A billionaire envisioning himself as a badass spy, getting top talent to produce it, having several corporate money-makers written into the story and then selling it as a $20 hardcover has to be the biggest case of corporate wankery I have ever seen in my life. But, truth be told, if I were filthy rich I’d do the exact same thing.

And then I read the page in the backmatter on how all the proceeds of this graphic novel are going to the Calvin Ayre Foundation to fight the inhuman trade of bear bile farming and promptly felt like an ass. So instead of this being one company’s celebration of itself, it is an incredibly awesome means of raising funds, complete with celebrity cameos, kick-ass fight scenes and card game-related puns.

I’m afraid that most comic fanboys will ignore this book for not being a “serious” comic and that’s a real shame. Yes, the heavy corporate branding is awkward at times, but once you take it for what it is, a balls-to-the-walls spy spectacular for a good cause, it hard not to love it. With solid art, great plotting and fun concepts, this graphic novel should not be discarded for more of the same old crap from the same old publishers

So, if you’re looking for a good read and you’ve Googled bear bile farming by now and know how much it sucks, you can order a copy of Ayre Force from the Bodog website.

And with that, I leave you with perhaps the greatest panel I’ve read this week.

Invincible Iron Man #1, aka Pepper’s Panties

Is it just me or are there an awful lot of Iron Man comics being published now a days? What’s that all about?

Out of them all, the most heavily hyped has been the second ongoing Iron Man series, the Invincible Iron Man, written by comics superstar Matt Fraction. Any you know, overall it’s a really good read. The premise (which doesn’t seem to have anything to do with the silly “open source vs proprietary software” pitch we had been teased with) is interesting, the villain seems to be a good match against such a powerful protagonist, Tony’s voice is smart and engaging. Plus, the art is pretty good.

Now, I haven’t been reading Iron Man comics very closely since, well, ever but I’ve gotten to know the shellhead pretty during Civil War, World War Hulk, Secret Invasion and everything in between. But has Tony really been this oversexed lately? I thought he was too busy running the Marvel Universe for gratuitous sex scenes (in a rated A book).

You know, it’s almost like the writer was told to portray Tony a certain way to appeal to a new audience who’s only familiar with the character from something like a big budget movie about Iron Man’s origins in which he is portrayed by a bad boy Hollywood actor. I dunno. And another thing I thought was a little strange was the tension between Tony and Pepper, particularly concerning wardrobe choices.

Wait, what?

Is Tony able to hear this, because I’m pretty sure he’s able to hear anything said on a SHIELD carrier or anything next to a computer for that matter. And if that’s the case, Pepper is looking at some serious sexual harassment charges. And if Tony can’t hear it, that means Pepper is kinda creepy. Or Tony is so damn hot he makes professional women with years of experience act like girls stripping for a trucker hat.

In closing, Matt Fraction is at the helm of a great, engaging and fun Iron Man comic. New readers, old fans, and panty fetishists will love it.